Such is an actor's life. We must ride the waves of every film, barfing occasionally, yet maintain our dignity, even as the bulk of our Herculean efforts are keel-hauled before our very eyes. [On filming MacHale's Navy]


Talk to them about things they don't know. Try to give them an inferiority complex. If the actress is beautiful, screw her. If she isn't, present her with a valuable painting she will not understand. If they insist on being boring, kick their asses or twist their noses. And that's about all there is to it.


The actor becomes an emotional athlete. The process is painful — my personal life suffers.


The actor searches vainly for the sound of a vanished tradition, and critic and audience follow suit. We have lost all sense of ritual and ceremony — whether it be connected with Christmas, birthdays or funerals — but the words remain with us and old impulses stir in the marrow. We feel we should have rituals, we should do something about getting them and we blame the artists for not finding them for us. So the artist sometimes attempts to find new rituals with only his imagination as his source: he imitates the outer form of ceremonies, pagan or baroque, unfortunately adding his own trapping — the result is rarely convincing. And after the years and years of weaker and waterier imitations we now find ourselves rejecting the very notion of a holy stage. It is not the fault of the holy that it has become a middle-class weapon to keep the children good.


The actor's popularity is evanescent; applauded today, forgotten tomorrow.


The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.


The basic essential of a great actor is that he loves himself in acting.


The best actors do not let the wheels show.


The face of Garbo is an Idea, that of Hepburn an Event.


The great actors are the luminous ones. They are the great conductors of the stage.


The hardest part has been maintaining a small head — remaining down to earth. So many people try to make you more than you are. This business has changed a lot of good people and a lot of good families, and I don't want that to happen to me.


The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.


The mere mechanical technique of acting can be taught, but the spirit that is to give life to lifeless forms must be born in a man. No dramatic college can teach its pupils to think or to feel. It is Nature who makes our artists for us, though it may be Art who taught them their right mode of expression.


The most difficult character in comedy is that of the fool, and he must be no simpleton that plays that part.


The most minor gifts and not a very high class way to earn a living. After all, Shirley Temple could do it at the age of four.


The mug is a tool. My ace in the hole. To have looks is the bonus on top of what motivates me to be an actor. Not to realize they're an asset would be counterproductive to the cause; they serve the common good.


The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.


The real actor has a direct line to the collective heart.


The thing about performance, even if it's only an illusion, is that it is a celebration of the fact that we do contain within ourselves infinite possibilities.


There are no small parts. Only small actors.

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